Connect with us
BNM Summit

BNM Writers

Steve Kamer: Getting to Know a Familiar Voice

Jerry Barmash

Published

on

After losing his gig as overnight personality at now-defunct radio station Mix 105 in New York, Steve Kamer knew his best route to a lucrative life in broadcasting was going full throttle into a voice-over career.

“The choice was not mine, but the decision was easy to make,” Kamer told BNM.

He was able to parlay 17 years as a “terrible jock” into his on-air reinventing for himself.

By the time Kamer was “transitioning” as air personality, he was already the announcer for NBC’s Today show.

Over the next three decades, Kamer has established himself as a leading sound for many media companies.

Familiar Voice

Despite decades of high-profile voice-over work, with an upbeat and energetic style, there is no resting on any laurels for Kamer, 58, who is still working with coaches to hone and refine his style.

“It’s how you stay at the top of your game and not become a flash in the pan,” Kamer said. “Even though I’m working at what some would consider ‘the peak,’ there’s the next peak.”

He just concluded work for the Olympics on NBC. For two weeks you heard him primarily announcing sponsor billboards. His voice-over work in the sports division goes back to the early 1990s. But under the new management his vocal responsibilities are only needed every two years.

Kamer is also the voice of CBS Radio’s Top of the Hour network newscasts. However, since Entercom took over (and since changed to Audacy), he isn’t allowed to air on the affiliates.

He is the local and network branding voice for Saga Communications’ cluster of news/talk stations.

“In their case, Scott Chase, who’s the group PD, likes the idea of having the network voice doing the local promos,” Kamer said.

Along with the news entities, Kamer “found his voice” in daytime talk shows. His promo list could be part of a Paley Center exhibit. He estimates being heard on 20 programs over the years—Montel Williams, Geraldo, Donahue, Sally Jessy Raphael, Jerry Springer, Ananda Lewis among them and currently Tamron Hall.

Others are familiar with Kamer for joining the final season of Judge Judy after original announcer Jerry Bishop died.

Style aside, Kamer says he separates himself with customer service.

“If somebody commits to you as their announcer, you’re expected to be available when they need you,” Kamer said.

That means if he’s on vacation, Kamer is still expected to produce as necessary for his clients.

“I have a portable travel studio that I set up in the hotel room,” Kamer said.

Early in his voice-over career, he decided to create a home studio and be more accessible to his clients, while also saving himself from the commuting headaches.

“The bad news is everybody who has a home studio can compete for the same work,” he said.

The technical set-up doesn’t feature many bells and whistles. He uses all Apple products, including a Mac mini. But there is no separate announcer booth for Kamer.

“The whole room is padded and the sound is great,” he said.

In 2018, Kamer left the studio to surprise Steve Harvey, who never met his announcer, as he was interviewed from the audience about being single and taking care of his 92-year-old mother.

Beginnings

For Kamer, who hails from South Jersey, it started in radio at just 14 years old. His upbringing helped align the stars for his microphone mentality. At an early age, Kamer would sample stations from New York City and Philadelphia during the day and other markets at night.

“I always was intrigued by listening to voices on radio, and ultimately on television.” Kamer said.

The broadcasting bug bit as a youngster as his parents took him to several game show tapings in Manhattan and he was mesmerized by the announcers, especially watching the legendary Don Pardo do the audience warm-up for the original Jeopardy! on NBC.

The love for the industry was there and so was the voice.

“Even at a young age, I had a voice that stood out,” he said. “It didn’t have a New Jersey accent, which I think was probably a plus.”

During the Olympics, Kamer had to block out time each morning to record the latest scripts for producers in Stamford, CT. There was overall a lead time of two days from producing the audio to airing.   

“They want to call or page, and have you immediately drop what you’re doing, get on the microphone and record with them,” Kamer said. “I always put my best voice forward.”

Breaking news could also force Kamer to quickly rerecord a new promo for shows like Tamron Hall even just hours before airtime.

Many weekdays Kamer can get in his recording booth at 8 a.m. and not finish until midnight.

To New York area sports fans, Kamer is the voice of the YES Network with his famous “Only on YES!” delivery. He’s been with the Yankees’ broadcast home since its inception in 2002.

“TV pays the bills, but radio is very exciting,” Kamer said. “There’s just no way around it. It’s immediate. I like to record something, hear it on the air and know that I’m a part of the overall station.”

He’s recently got a three-year renewal to remain as the voice of WGN Radio in Chicago.

“People commit for long periods of time because they don’t want you to go somewhere else in the market,” he said.

So, the value of voice affords him “some sense of stability in a job that’s considered a freelance job.”

Even more so than traditional broadcasting, the voice-over business is highly competitive.

“There are a lot of great voice-over announcers, but there’s one Steve Kamer,” he said proudly. “That’s the mantel I claim. I play in my own sandbox.”

The next generation of voice-over artists ask him often how they can also become successful. He said a good voice isn’t enough. It can’t be a hobby; you need a coach and demo tape that stands out and shows your strongest assets.

“You can’t come across as desperate,” he said.

While every gig is important and treated with the same care by Kamer, he delineates the work, for example: “When I’m doing a radio station in Atlantic City, Des Moines, or Nashville, I put on a voice that’s reflective of wearing a pair of jeans or khakis,” Kamer said. “When I’m doing the Olympics, I put on my tuxedo voice.”

Typically, he works independently without direction, a process he considers “more efficient.”

“You might listen after a while and say, ‘They all sound the same.’ And maybe they do. But I try to give each one a little bit of its own uniqueness.”

Kamer has to “own the copy” by fact-checking and, obviously, confirming any confusing pronunciations.

CNN viewers were likely hearing him on promos in the run up to the cable network’s airing of the NYC Homecoming Concert on August 21.

Always Growing

However, his popularity has not translated into commercial work. 

“[They] have not been an area that I’ve had a lot of success in,” Kamer admitted.

Another part of voice-overs that eludes Kamer are movie trailers and network prime-time promos.

“That’s a hard one. That really borders on being a good actor,” Kamer said. “Although the jobs that I do require some acting, those movie trailers and network promos require all acting.”

Those artists are storytellers and “the minute I put on the headphones and read a script, I’m not as good a storyteller as many of the people who are currently booking them,” he confessed.  “I haven’t given up on those things, but those don’t come as easily for me. I would say that a lot of the people who do movie trailers and network promos can’t easily transition to what I do.”

He was able to separate himself from those high-profile movie announcers who missed out on work for months during the pandemic. Kamer, though, has been busy throughout for his radio and TV gigs, including Inside Edition.

“The style changed in many cases. I couldn’t be as hard hitting and abrasive in some reads. I had to pull it back and reflect what’s going on in the world, even in subtle differences,” Kamer said.  

You’ll also find him doing narration work for the Smithsonian Channel, but “you really have to stay committed and interested in the subject matter.”

Despite his many assignments over the years, few people outside of the industry connect the dots to Kamer’s work.

“My voice is a celebrity. I’m not. Only my voice is famous.” Kamer said. “It’s exciting to be out and hear my voice on the TV or radio somewhere. But I like the anonymity of being in a room and not being known as the announcer guy.”

That cache as a voice on marquee projects has helped bring more big-name jobs.

Kamer is not worrying about spreading his voice too thin.

“If someone recognizes the voice, that’s fine,” he said. “But we want the voice to sort of be in the background and the message to be in the foreground.”

Sometimes his voice literally is spread too thin with a cold, or worse, laryngitis. Instead of it being a deal breaker, Kamer has been able to use the huskiness to his advantage.

“I’ve booked the job and then I can’t duplicate it when my voice gets better,” Kamer laughed.  

Upon a visit to Atlantic City you might hear Kamer welcoming guests to the Hard Rock Hotel and Casino, where “they blast my voice with announcements constantly.”

Plus, using his fondness for transportation and his Jersey roots, he “greets” PATH train riders with next stop alert and the famous “please stand clear of the closing doors.”

He also enjoys being heard on a handful of New Jersey radio stations.

“It’s just really cool to be on local stations that you grew up listening to,” Kamer said.

When it comes to picking projects, Kamer needs to feel passionate about the topic.

“It’s not driven by money,” he admitted.

Despite that, Kamer was intrigued by the chance to earn his annual radio salary in a month of voice-over work.

That said, his rates are based on various factors, including market size and amount of copy per month.

“A local radio station isn’t going to pay the same as NBC Sports. That would be ridiculous,” Kamer said. 

With a great career that shows no sign of slowing, Kamer occasionally wonders “what if”? 

“Had radio continued to embrace me as a jock, I might still be doing it today,” he said.

Subscribe To The BNM Rundown

The Top 8 News Media Stories of the Day, sent directly to your inbox every afternoon!

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

BNM Writers

How KDKA Transformed Overnights to Grow Its Future and Reach Younger Audiences

“The overwhelming feedback has been positive. It makes us local, it gives us a bench … it makes the radio station’s brand bigger and connects us in different areas.”

Garrett Searight

Published

on

A photo of the cast of KDKA Next Take and the KDKA logo
(Photo: KDKA)

In February, venerable Pittsburgh news/talk station KDKA announced a partnership with the University of Pittsburgh that would see students from the college host a weekday overnight program.

The program — KDKA Next Take — is heard from 1-5 AM and replaced the nationally syndicated Red Eye Radio in the Audacy-owned station’s lineup.

A product of the imagination of Audacy Pittsburgh Senior Vice President and Market Manager Michael Spacciapolli, he believes the show has been a success in its early run.

“The show certainly offers a different perspective on the way that this generation looks at the world and from their viewpoint as opposed to other hosts who are in a different time in their life than them,” Spacciapolli said. “So we certainly are able to share a different point of view from them, while at the same time utilizing those points of view on social and getting them to really engage the radio station from a social perspective and hopefully engaging in and not just speaking to, but engaging people in that demographic, as well.”

Needing to attract younger audiences has been at the forefront of the news/talk radio industry for quite some time. Another issue discussed by leaders of the format are often centered around where stations will find the next crop of young talent.

With the partnership with Pitt, KDKA took the initiative to seek out those who might be interested in a radio career, rather than hope those potential employees found them.

“I’m always looking for great talent. Everything I do and in every aspect of the radio station, I’m looking for the most talented people. I’m always looking for where is the next great talent in everything we do,” said Spacciapolli. “This gives me the opportunity to have them working with us on an everyday basis and learning everything they do — from their work ethic, to their thought process, to their ideas. It gives me an opportunity to have our own ‘bench’ and have an opportunity to see where talent could come from in the future.

“There’s going to be talent there that we are potentially going to take a look at in different roles. Do they leave Next Take when their time is up on the show and do they immediately become full-time hosts? Probably not. But can they become part-time hosts? Sure,” he added. “Can they become producers? Absolutely. Can they become reporters? Can they become part-time reporters? Absolutely. Working with us gives us the opportunity to certainly move in that direction much more quickly and confidently than we would have previously.”

For decades, overnights were a proving ground for aspiring hosts. The daypart allowed for opportunities for young hosts and provided a low-pressure timeslot to experiment and hone your craft. But with the rise of automation and syndication, those positions have largely fallen by the wayside.

However, Audacy Pittsburgh looked at the partnership with the college and saw opportunity. The collaboration allows a younger generation access to the station that is largely dominated by older hosts and listeners.

Additionally, it provided even more local coverage to a station that prides itself of being “The Voice of Pittsburgh.” That factor wasn’t lost on Spacciapolli.

“A big part of my vision was it gave us the opportunity to be local, gave us the opportunity to be local overnight, which for me is how we win in this business is being local, staying local, talking to people in Pittsburgh about Pittsburgh, and this gave us the opportunity to do that on a pretty big scale and with fresh content every day.”

It would be natural for a full-time or even part-time employee of the Pittsburgh news/talk station to be jealous that a four-hour program was being given to college students. But that hasn’t been the case, Spacciapolli shared.

“The overwhelming feedback is very positive … Because there’s no expense it’s not like it’s somebody else could have been doing it. It would have continued to be syndicated if we weren’t able to do it through the partnership with the University of Pittsburgh. So it just makes the radio station’s brand bigger. It connects us in different areas and hopefully grows the brand and gets the brand younger.”

The program is recorded live-to-tape earlier in the day before airing in the 1-5 AM timeslot, which allows for some fine-tuning and takes the pressure off the radio novices, while also allowing them to helm a show instead of working in the wee hours of the night while trying to focus on their studies.

Spaccipolli shared that an overnight program hosted by college students interested in one day working in the industry doesn’t have to be proprietary to KDKA. He said there’s one deciding factor in the success of the endeavor.

“It’s about the relationships and the partnerships. And, fortunately, I have a great relationship with the University of Pittsburgh, they’re a great partner. I was able to get deep enough into this relationship with them and find ways to potentially make this work,” he stated.

“This is not easy. It’s not something you can pull off easily because, traditionally, I think, people think about it and they think, ‘Oh, there’s got to be significant expense.’ And in this situation, there’s not because that wouldn’t have fit our model for where it is and what we’re trying to do with it. So there isn’t that expense. You’re not gonna be able to make it work everywhere. Fortunately, we were able to do it here.”

Subscribe To The BNM Rundown

The Top 8 News Media Stories of the Day, sent directly to your inbox every afternoon!

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BNM Writers

Jordan Peterson Has a New Model for Higher Education

“We built a social media network into the platform and we hope that it will be the best social media network that there is.”

Rick Schultz

Published

on

A photo of Jordan Peterson
(Photo: Jordan Peterson)

Is it time to give higher education a makeover? Yes – according to one of the world’s preeminent thought leaders — Jordan Peterson — who is changing the game for higher levels of learning.

A segment this weekend on Fox News Digital highlighted famed psychologist and author, Jordan Peterson, as he discussed his new mission to educate the masses in a new and innovative way through his new start-up, the Peterson Academy.

“So what have we got with Peterson Academy?” he began. “Well, it’s a University in that we feature the best University professors in the world. And I have the privilege of being able to call on such people and to make them a good offer and to have them participate avidly and to teach only what they really want to teach in the way they want to teach it.”

Peterson, Professor Emeritus at the University of Toronto, has written three books that have sold more than seven million copies. A simple online search will turn up many of his most notable philosophical monologues, covering such topics as morality, finances and culture. His massive worldwide following allows him to call on the best of the best to teach through his new venture.

“We bring them down to our studio in Miami or go to their home country to film them and we’ve produced, I think, the best courses that have ever been filmed. Not only in terms of their academic content but also in terms of the production quality. So very high-quality production levels, using animation and background images and all filmed in front of a live audience,” Peterson noted. 

Collaborating with students is old hat for Peterson. Throughout his career, he has taught some of the most highly regarded courses at Harvard and the University of Toronto. In addition, he has published more than a hundred scientific papers with his students and co-authors. And his material will not be the run-of-the-mill brainwashing many think their children receive at typical colleges and universities.

“Very focused courses. No politically correct nonsense,” Peterson said of the course material at Peterson Academy. “The opportunity for people to obtain a bachelor’s degree to begin with. We’re not accredited but we’re working on that, and we have ways of dealing with that that I can talk about.”

Due to government collusion through the student loan industry, costs for higher education have skyrocketed in recent decades. As many experts have pointed out, rising tuition costs are caused by the government’s insistence on saddling teenagers with astronomical debt loads. All to the benefit of mostly far-left universities and their personnel, who live off the taxpayer largess.

“We hope to bring down the price of a bachelor’s degree or bachelor’s degree equivalent by, like, 95 percent. And I think we can do that,” Peterson said optimistically. “But more than that, we have stellar lecturers and we have stellar courses. We have accreditation processes, examinations let’s say, that teach while the examinations are occurring.”

In his mind, however, the new organization will add much more value than just nuts and bolts education. 

“More than that, we’ve understood as we’ve assessed what a university does, that you think of a university as professors and lectures and exams. But that’s a small fraction of what a university does. A university provides young people a place to mature and a place to develop a new community of peers. And hypothetically a place to find a mate. And those are very valuable services that people don’t think about as the university,” Peterson said. 

The Peterson Academy is founded by Peterson and Mikhaila Fuller, and students can enter their email address on the website to be notified of the organization’s official launch. The site slates June as the official launch.

“Universities bring bright, young people who are ambitious together and they can meet each other. And so they form social network, they form romantic relationships. That’s part of the reason the universities can get away with charging, like, three hundred thousand dollars for a four-year degree,” Peterson told Fox News Digital. 

As part of his other work, The Jordan B. Peterson Podcast frequently tops the charts in the Education category. Peterson often creates memorable sound bites with his direct, common-sense approach to many of the more complex societal issues. For this, he has garnered a loyal tribe of followers, eager to hear his take on some of the more thorny issues facing the world. He has taken that same networking approach to begin building a following for his new university.

“We built a social media network into the platform and we hope that it will be the best social media network that there is. And for a variety of reasons I think we’ve taken the best features of the social media networks that currently exist,” he said. 

The Peterson Academy is tentatively set to launch this month, targeting a unique audience that seeks thoughtful, truth-based higher learning.

“We’re going to have a very specialized audience, right,” Peterson said. “It’s only going to be people that want to be educated and want to be educated in a manner that isn’t politically correct.”

Peterson told Fox News Digital, his new online university will “help people fulfill their desire to get a true education that they can’t find in today’s ‘demented’ and ‘unsalvageable’ universities, all at a much more affordable price.

As the world lurches back toward freedom of thought and educational choice free of liberal biases, Peterson summed up his organization’s thesis Saturday on a post on X.

“I would like to extend my thanks to the modern university (@Harvard and @Columbia in particular) for doing everything they can to make my endeavours both necessary and successful.”

Subscribe To The BNM Rundown

The Top 8 News Media Stories of the Day, sent directly to your inbox every afternoon!

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading

BNM Writers

Do News Media Members Need a Copywriting Refresher?

Broadcast news, with very few exceptions, has gone over to the side of the cute and cuddly, the shiny and shocking, the “poke you with a stick to get your attention” society.

Bill Zito

Published

on

A photo of a dictionary page

We are in a banner year here already and we are barely halfway done. 2024 has already seen the 96th annual Academy Awards, the 75th Emmy Awards, the 77th Tony Awards but of course none of them can outshine last month’s release of the 57th edition of the Associated Press Stylebook for use of news media members everywhere.

(Yes, kids it’s out there. Buy it, collect it, trade it with your friends.)

I kid because I love. I think somebody has to set some rules so it might as well be the AP. Yes, I realize there’s also the Chicago Style Guide as well as a few others but really, there are Cliff Notes, Spark Notes, and their associates as well but I didn’t read those either.

I think the guides are great references and maybe they are the ultimate authority in a lot of cases but I’m fairly sure a scarce, few platforms outside of the giants in print pay them the mind they once did. I myself, stand in AP’s corner because they still shun the Oxford comma as any fine, upstanding outlet should be doing.

Besides, in TV and radio writing (Yes, TV News uses the written word on occasion) most everything said on air is written in all capitals while all accurate and dignified terminology is exchanged for sayings and slang like, “Creep,” “Accosted” and “Gunned Down.”

It’s the more outlandish words that get the attention of the audience and nobody is really concerned anymore with proper capitalization, tense, or even proper pronunciation.

(Yes, an overstatement on my part but with more than a hint of truth to it,)

In the new edition of the AP’s guide, there is much devoted to the use of words relating to law and justice, when and how to refer to those convicted of crimes and suspected of them as well.

Progress is good, right?

When is a criminal not a criminal but instead a person convicted of a crime?

Is it an assault weapon or is it not and does it matter when it comes to the story or the headline?

Is the teen a juvenile or is the child a minor and is using the wrong one hurtful or dehumanizing?

A rose by any other name…yes, yes, we get it.

Consider another identifier or descriptor that style guides might suggest if we followed them without impunity.

Is Mike Tyson a boxer who is also a convicted rapist or is convicted rapist Mike Tyson also a boxer?

I’m okay with growth and development in speech and description if for no other reason that over time it has gotten most of us to stop using words we shouldn’t be using and to start identifying people and circumstances as what they truly are.

Having never been formally schooled on AP style as I was not educated or raised as a journalist I’ve always played fast and loose with my writing and struggle with anything beyond the very standard first and second references and abbreviations.

Don’t get me started again on the Oxford comma as I’m still stopping random people on the street and asking people when and where that pretentious and superfluous bit of claptrap came about.

I offer nothing but praise for the noble newspaper reporters and editors as I largely consider the talented among them to be the last bastion of civilization in journalism.

Broadcast news, with very few exceptions, has gone over to the side of the cute and cuddly, the shiny and shocking, the “poke you with a stick to get your attention” society.

To reiterate, I like when there are rules and guidelines, as long as they are there for the right reasons. If you’re promoting accuracy and clarity, I’m on your team. If you’re latching on to an agenda, public interest pressure or political correctness which muddies the waters of truth, you and I have a problem.

I have often found myself at odds with some writing styles, sayings and/or manners of speech when it comes to reporting in general and it’s not always about grammar or AP stylistics.

Unless you can prove immediate malice or criminality, I take great exception when a journalist tells an audience a police officer gunned down a suspect especially referring to an officer involved shooting. It’s cool NYPD Blue talk but it’s misleading and inflammatory. Let’s wait for the investigation, okay?

Alleged is a great word. Overused, misused, a crutch used by those inexperienced and demanded by jitter news management who have no concept of the parameters of slander, defamation and libel.

Person of Interest and Suspect, both names of TV shows which is why the news media often gets them wrong when reporting about criminal activity. It’s certainly easy enough to check and learn how and when to use these words before you hit the air.

And finally, a personal favorite and one we can all remember and enjoy:  You don’t have to be the New York Post to call the police officer a cop to know that it’s not disrespectful.

Somebody somewhere once told somebody in news that cops don’t like to be called cops.

Of course, there are exceptions. As an ex-cop I can tell you that real cops don’t mind being called cops. Those who insist on being referred to as police officers at all times probably never got their uniforms dirty.

A cop is always a police officer, but a police officer is not always a cop.

Or to put it differently:

A Journalist is always a Member of the Press, but a Member of the Press is not always a Journalist.

Not long ago, the American Foundation for Suicide Prevention (AFSP) lobbied hard (and succeeded) to have the media refrain from using the term, committed suicide, when describing a person taking their own life. The argument being that it tainted the act with criminality, contrition, or fault. The AP updated its guide to reflect the terms, completed suicide or the more often used, died by suicide and encouraged journalists to make use of these wordings along with “killed themselves” or “took their own life.”

As the husband of a wife (a retired police officer) who committed suicide, I have no objection to writing, saying, or hearing those words in describing the tragedy. In my viewpoint, it is what happened, and were it to be reported in the news, alternative language would not have made a bit of difference. I also have worked extensively with AFSP and other suicide prevention organizations over the years and I disagree with them on this point. But that’s all it is, a difference of opinion and a matter of perspective.

The idea of an organization, a political lobby, or corporate entity pushing the free press into a viewpoint or a particular way to tell a story does not leave me with feelings of comfort. That’s a larger concern of course when it comes to regulated style, less worrisome are where and when to use capital letters, accents, or quotes, but the ideas are still worthy of scrutiny by any of us who report what’s going on. 

The truth is still the truth and the masthead and byline, or their broadcast equivalent must stand by the story they are telling and the way they are telling it.

Subscribe To The BNM Rundown

The Top 8 News Media Stories of the Day, sent directly to your inbox every afternoon!

Invalid email address
We promise not to spam you. You can unsubscribe at any time.
Continue Reading
Advertisement

Advertisement Will Cain
Advertisement

Upcoming Events

BNM Writers

Copyright © 2024 Barrett Media.