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Steve Kamer: Getting to Know a Familiar Voice

Jerry Barmash

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After losing his gig as overnight personality at now-defunct radio station Mix 105 in New York, Steve Kamer knew his best route to a lucrative life in broadcasting was going full throttle into a voice-over career.

“The choice was not mine, but the decision was easy to make,” Kamer told BNM.

He was able to parlay 17 years as a “terrible jock” into his on-air reinventing for himself.

By the time Kamer was “transitioning” as air personality, he was already the announcer for NBC’s Today show.

Over the next three decades, Kamer has established himself as a leading sound for many media companies.

Familiar Voice

Despite decades of high-profile voice-over work, with an upbeat and energetic style, there is no resting on any laurels for Kamer, 58, who is still working with coaches to hone and refine his style.

“It’s how you stay at the top of your game and not become a flash in the pan,” Kamer said. “Even though I’m working at what some would consider ‘the peak,’ there’s the next peak.”

He just concluded work for the Olympics on NBC. For two weeks you heard him primarily announcing sponsor billboards. His voice-over work in the sports division goes back to the early 1990s. But under the new management his vocal responsibilities are only needed every two years.

Kamer is also the voice of CBS Radio’s Top of the Hour network newscasts. However, since Entercom took over (and since changed to Audacy), he isn’t allowed to air on the affiliates.

He is the local and network branding voice for Saga Communications’ cluster of news/talk stations.

“In their case, Scott Chase, who’s the group PD, likes the idea of having the network voice doing the local promos,” Kamer said.

Along with the news entities, Kamer “found his voice” in daytime talk shows. His promo list could be part of a Paley Center exhibit. He estimates being heard on 20 programs over the years—Montel Williams, Geraldo, Donahue, Sally Jessy Raphael, Jerry Springer, Ananda Lewis among them and currently Tamron Hall.

Others are familiar with Kamer for joining the final season of Judge Judy after original announcer Jerry Bishop died.

Style aside, Kamer says he separates himself with customer service.

“If somebody commits to you as their announcer, you’re expected to be available when they need you,” Kamer said.

That means if he’s on vacation, Kamer is still expected to produce as necessary for his clients.

“I have a portable travel studio that I set up in the hotel room,” Kamer said.

Early in his voice-over career, he decided to create a home studio and be more accessible to his clients, while also saving himself from the commuting headaches.

“The bad news is everybody who has a home studio can compete for the same work,” he said.

The technical set-up doesn’t feature many bells and whistles. He uses all Apple products, including a Mac mini. But there is no separate announcer booth for Kamer.

“The whole room is padded and the sound is great,” he said.

In 2018, Kamer left the studio to surprise Steve Harvey, who never met his announcer, as he was interviewed from the audience about being single and taking care of his 92-year-old mother.

Beginnings

For Kamer, who hails from South Jersey, it started in radio at just 14 years old. His upbringing helped align the stars for his microphone mentality. At an early age, Kamer would sample stations from New York City and Philadelphia during the day and other markets at night.

“I always was intrigued by listening to voices on radio, and ultimately on television.” Kamer said.

The broadcasting bug bit as a youngster as his parents took him to several game show tapings in Manhattan and he was mesmerized by the announcers, especially watching the legendary Don Pardo do the audience warm-up for the original Jeopardy! on NBC.

The love for the industry was there and so was the voice.

“Even at a young age, I had a voice that stood out,” he said. “It didn’t have a New Jersey accent, which I think was probably a plus.”

During the Olympics, Kamer had to block out time each morning to record the latest scripts for producers in Stamford, CT. There was overall a lead time of two days from producing the audio to airing.   

“They want to call or page, and have you immediately drop what you’re doing, get on the microphone and record with them,” Kamer said. “I always put my best voice forward.”

Breaking news could also force Kamer to quickly rerecord a new promo for shows like Tamron Hall even just hours before airtime.

Many weekdays Kamer can get in his recording booth at 8 a.m. and not finish until midnight.

To New York area sports fans, Kamer is the voice of the YES Network with his famous “Only on YES!” delivery. He’s been with the Yankees’ broadcast home since its inception in 2002.

“TV pays the bills, but radio is very exciting,” Kamer said. “There’s just no way around it. It’s immediate. I like to record something, hear it on the air and know that I’m a part of the overall station.”

He’s recently got a three-year renewal to remain as the voice of WGN Radio in Chicago.

“People commit for long periods of time because they don’t want you to go somewhere else in the market,” he said.

So, the value of voice affords him “some sense of stability in a job that’s considered a freelance job.”

Even more so than traditional broadcasting, the voice-over business is highly competitive.

“There are a lot of great voice-over announcers, but there’s one Steve Kamer,” he said proudly. “That’s the mantel I claim. I play in my own sandbox.”

The next generation of voice-over artists ask him often how they can also become successful. He said a good voice isn’t enough. It can’t be a hobby; you need a coach and demo tape that stands out and shows your strongest assets.

“You can’t come across as desperate,” he said.

While every gig is important and treated with the same care by Kamer, he delineates the work, for example: “When I’m doing a radio station in Atlantic City, Des Moines, or Nashville, I put on a voice that’s reflective of wearing a pair of jeans or khakis,” Kamer said. “When I’m doing the Olympics, I put on my tuxedo voice.”

Typically, he works independently without direction, a process he considers “more efficient.”

“You might listen after a while and say, ‘They all sound the same.’ And maybe they do. But I try to give each one a little bit of its own uniqueness.”

Kamer has to “own the copy” by fact-checking and, obviously, confirming any confusing pronunciations.

CNN viewers were likely hearing him on promos in the run up to the cable network’s airing of the NYC Homecoming Concert on August 21.

Always Growing

However, his popularity has not translated into commercial work. 

“[They] have not been an area that I’ve had a lot of success in,” Kamer admitted.

Another part of voice-overs that eludes Kamer are movie trailers and network prime-time promos.

“That’s a hard one. That really borders on being a good actor,” Kamer said. “Although the jobs that I do require some acting, those movie trailers and network promos require all acting.”

Those artists are storytellers and “the minute I put on the headphones and read a script, I’m not as good a storyteller as many of the people who are currently booking them,” he confessed.  “I haven’t given up on those things, but those don’t come as easily for me. I would say that a lot of the people who do movie trailers and network promos can’t easily transition to what I do.”

He was able to separate himself from those high-profile movie announcers who missed out on work for months during the pandemic. Kamer, though, has been busy throughout for his radio and TV gigs, including Inside Edition.

“The style changed in many cases. I couldn’t be as hard hitting and abrasive in some reads. I had to pull it back and reflect what’s going on in the world, even in subtle differences,” Kamer said.  

You’ll also find him doing narration work for the Smithsonian Channel, but “you really have to stay committed and interested in the subject matter.”

Despite his many assignments over the years, few people outside of the industry connect the dots to Kamer’s work.

“My voice is a celebrity. I’m not. Only my voice is famous.” Kamer said. “It’s exciting to be out and hear my voice on the TV or radio somewhere. But I like the anonymity of being in a room and not being known as the announcer guy.”

That cache as a voice on marquee projects has helped bring more big-name jobs.

Kamer is not worrying about spreading his voice too thin.

“If someone recognizes the voice, that’s fine,” he said. “But we want the voice to sort of be in the background and the message to be in the foreground.”

Sometimes his voice literally is spread too thin with a cold, or worse, laryngitis. Instead of it being a deal breaker, Kamer has been able to use the huskiness to his advantage.

“I’ve booked the job and then I can’t duplicate it when my voice gets better,” Kamer laughed.  

Upon a visit to Atlantic City you might hear Kamer welcoming guests to the Hard Rock Hotel and Casino, where “they blast my voice with announcements constantly.”

Plus, using his fondness for transportation and his Jersey roots, he “greets” PATH train riders with next stop alert and the famous “please stand clear of the closing doors.”

He also enjoys being heard on a handful of New Jersey radio stations.

“It’s just really cool to be on local stations that you grew up listening to,” Kamer said.

When it comes to picking projects, Kamer needs to feel passionate about the topic.

“It’s not driven by money,” he admitted.

Despite that, Kamer was intrigued by the chance to earn his annual radio salary in a month of voice-over work.

That said, his rates are based on various factors, including market size and amount of copy per month.

“A local radio station isn’t going to pay the same as NBC Sports. That would be ridiculous,” Kamer said. 

With a great career that shows no sign of slowing, Kamer occasionally wonders “what if”? 

“Had radio continued to embrace me as a jock, I might still be doing it today,” he said.

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BNM Writers

Cristina Mendonsa Left Television For Radio When Her Star Was Shining Brightest

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Mozart completed his first piece of music when he was five years-old. Doogie Howser was a licensed doctor at 14 years of age. Cristina Mendonsa was working at a newspaper when she was 15 years-old. Perhaps it’s not as stunning as the other two, but Mendonsa was on a career path early.

“I was a columnist on youth issues for a local paper,” Mendonsa said. “I started working in radio before I was 17 years old.”

Then it was an internship at a television station, where Mendonsa baked a lot of cookies for people who helped her learn how to edit.

“I was a television writer when I was 19 years old. Got my first on-air job when I was 20 at KRCR-TV. I was at the CBS affiliate in Sacramento and then hired for a job at KUSA in Denver before I was 21, and I barely knew where Denver was on a map.”

C’mon, Cristina. Now you’re just showing off.

“Every radio station had some form of newsroom back then. All stations, including rock. Then there became fewer and fewer, especially at music stations. I bounced around in radio for three years.”

It took her a while to finish college, taking a class here and there.

“I started my classes at the same time I was working in broadcasting,” Mendonsa said. “I was moving around in radio, and I had to drop out of school when I made a move for my job. It took me nine years to earn the degree. I was going to school so I could afford to pay tuition.”

Mendonsa believes being a reporter made her a better student. Mendonsa was taking journalism classes with younger students who probably had no idea she was on the air locally. She went to eight different colleges and finished at Sacramento State.

“I earned a masters in communications and leadership at Gonzaga University,” Mendonsa said. “I decided if I was going to have a life after television, more schooling was in order. My choices were between Notre Dame, USC, and Gonzaga. I had dated a guy on the Gonzaga basketball team many years earlier, so I imagine that helped me decide. Gonzaga was a good Jesuit school and had a moral aspect to instruction. Turned out to be a great program.”

In early radio jobs, she had tough editors looking over her copy, brutal with their edits. Brutal in their criticism of Mendonsa’s on-air performance.

“I’ll always have a huge amount of respect for them. They helped me immensely.”

Mendonsa is an anchor on 93.1 KFBK in Sacramento and has been with iHeart nearly five years after serving 27 years as a television anchor.

Born in Oakland, California, her mother raised the family and taught genealogy classes. Mendonsa said her mother was a great writer, compiling books of the family’s history going back generations.

“My father was part of the dignitary protection services in California all the way back to when Ronald Reagan was sworn in as Governor. I spent a lot of time at the Capitol. Dad would have family and friends come and tour the Capitol, usually entering from backdoors.”

She hung out at the Capitol a lot. Listened to political conversations while waiting for her father to get off work.

“Our dinner conversations had a lot to do with classic California politics,” Mendonsa said. “I remember going to a couple of events, standing with my mom on the Capitol steps when Reagan was addressing a crowd. Governor Brown would hold a Christmas party every year. Governor Deukmejian did too.”

When Brown first took office Mendonsa said she was surprised at how austere his office was. Definitely not what you’d expect a higher level politicians’ office to look like.

“That’s what struck me when I was a kid doing homework in Governor Brown’s office.”

Mendonsa’s father had a profound influence on her life, and people who knew him. “I run into people all the time who remember him, his integrity,” she said. “My father had a strong sense of loyalty and justice. He was a good man. Ethical, hard working. I’d like to think I took on some of those traits and passed them on to my children.”

She said as a television anchorwoman in her late 40s, she considered herself an endangered species in television.

“I started to think about some options, considered teaching,” Mendonsa explained. “I was impressed with the concept of leadership and entrepreneurship, but I also knew I had to up my skill sets.”

Sacramento is her hometown and a place she said is beautiful. Mendonsa said a lot of places call themselves the ‘City of Trees,’ but Saramento certainly lives up to that.

“We have two rivers that come together, the American River and the Sacramento River. That’s also why we have similar flooding risks of New Orleans. People describe Sacramento as the Midwest of California. We have very friendly people.”

Mendonsa said it was an idyllic place to grow up, but Sacramento does have its issues. She said Sacramento has more homeless people than San Francisco.

“I remember taking a helicopter tour over the river and was stunned at how many there were. There’s a lot of pressure from businesses to get things straightened out. California has 30 percent of the homeless in the country. We’ve thrown a ton of money at it, and they’ll throw more. It doesn’t seem to make much of a dent.”

She said Sacramento simply doesn’t have enough housing.

“A small percentage of the homeless work regular jobs but live in their car. The majority of homeless have mental health issues or are drug abusers. It’s easier to be homeless in California because there are so many assistance programs.

Mendonsa once spoke to an advocate who said when someone has mental illness it doesn’t mean they are violent. If someone is a drug abuser, it doesn’t mean they are violent. But when you get a mentally ill person who is also a drug addict, you’ll see some serious problems.

‘It’s harder for cities to find police officers all over the country,” Mendonsa explained. “We’re constantly trying to train more. People don’t want to be police officers any more.”

Mendonsa said she was talking with her co-anchor and discussed a poll citing Donald Trump’s popularity has gone up in the past few days.

“Our station is news/talk, and we love political stories like that,” she said. “Trump has his ardent followers. He has tapped into a discontent and for many people, they believe his first presidency was a better time for them and the country, so they’re sticking with him”.

Mendonsa also knows people who feel betrayed by Trump. Abandoned by the ex-president.

“They are tired of his mean tweets. Trump is at his best when he’s focused on other people. He’s at his worst when he’s complaining how the world is against him. I swear if he ever gets arrested, he’s going to make T-shirts with his mugshot and sell them. They’ll do great.”

As a kid she’d help her mom when she researched at libraries. She loved writing and talking.

“I was always bending my mother’s ear,” Mendonsa explained. “She’d say to me, ‘You talk so much I think you should get a job where you could do that for a living.”

Message received.

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BNM Writers

Leading Local Is Convenient, Except For When It’s Not

Everybody comes from somewhere and everyone certainly has people in other places. Calamity and misfortune happen everywhere.

Bill Zito

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ABC’s World News Tonight obviously had other plans in place for the evening newscast Monday. David Muir had the tornado devastated Mississippi city of Rolling Fork in the background as the show began, an umbrella lead later there was a switch and toss to the latest in the nation’s school shooting tragedies.

The shuffling of course was successful because the networks have a different focus and generally possess the ability to overcome the challenges of breaking and shifting national topics.

For the local markets there is often a tug of war between news operations and administrations over the push to lead local. The tried, true, and often tired philosophy of giving the neighborhood’s news first in favor of the broader national interest because — once again — people behind desks are sure they know what the audience wants.

For the radio folk, there is the often-available luxury of leading with the network newscast at the top of the hour — and the bottom as well, in desperate times — which leaves the responsibility for national news to someone else.

A community devastated by a weather event like an EF4 tornado in Mississippi or horrific violence like the Nashville school shooting are already all consumed by the tragedies. It is a local story that has become national by its sheer magnitude.

In other words, there is no justification needed to bring it to the top of the news block nationally so why are there even discussions about doing the same outside of where it happened. Community is community, there is no requirement that it happen here first for us to care, to be engaged.

I’ve encountered an arrogance often associated with local content that seems to set aside or even ignore the degree of those happenings outside the individual broadcast area. As if for some reason, our targets were not going to care about Russia and Ukraine until the local hook could be identified. Storms and shootings have pretty much happened everywhere so how hard is it to relate, even be transfixed when we’re given the particulars on something that’s not unfolding in our backyard?

Looking back at that arrogance I referred to, I think it also could link it to a level of insecurity, even in ignorance, in programming and direction. Not knowing or caring about what your followers think or want.

On the ignorance front, is it a simple lack of familiarity? Perhaps.

Get a room of journalists together in a room — I’m talking about members of the press, all platforms — with no caveats, no consequences.

What would they say? Leadership, management, or corporate philosophy come to mind?

There is of course a natural development to the equation, which supersedes pretty much everything. Impact.

Will Tacoma’s new downtown parking regulations top an earthquake and typhoon in Indonesia?

Don’t be so quick to answer.

What happens in Jerusalem, Gaza, and Tel Aviv carries a hell of a lot of weight in New York, L.A., and Miami. Span Texas to Southern California and they’re caring about more than just border crossings.

Everybody comes from somewhere and everyone certainly has people in other places. Calamity and misfortune happen everywhere.

And most people don’t care about where and when they see your sweeps story or your 5-part series on Parks Department Overtime when humanity is crashing someplace else.

Tease it, promote it, and move it down to the B-block.

Leading local is a reasonable coverage plan, except when it’s not.

Your brand-new News Director who just arrived from Cincinnati may not know that yet.

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BNM Writers

Tucker Carlson Sees Ratings Surge With January 6th Videos

The Mar. 7th edition (4.165 million) topped all cable telecasts in total viewers that week.

Doug Pucci

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Fox News Channel’s Tucker Carlson Tonight has featured the host’s many polarizing claims. The ones made on the Mar. 6th and 7th editions of his show could be labeled as among the most controversial.

Republican House Speaker Kevin McCarthy had granted Carlson exclusive access to over 40,000 hours of January 6th security camera footage. On his FNC show across those two aforementioned evenings, Carlson denied an insurrection had taken place at the Capitol on Jan. 6, 2021; instead, it was “mostly peaceful chaos”, most who were there were mere “sightseers”, and that the footage provided “conclusive” evidence “proving” Democrats “lied” about the events of that day.

On the Senate floor on the morning of Mar. 7, Senate Majority Leader Chuck Schumer (D-NY) called Carlson’s Mar. 6th show “one of the most shameful hours we have ever seen on cable television.”

The immense reach that Carlson’s rhetoric regularly attracts justified the high concern and swiftness of the condemnation and backlash. One glance at the ranks of the week’s top cable news programs at the end of this article, or any of this site’s past weekly news ratings items, can glean how highly popular Carlson is in, not only the cable news world, but also, the entire television landscape.

According to Nielsen Media Research, the Mar. 7th edition (4.165 million) topped all cable telecasts in total viewers that week and matched the live plus same-day total viewing figures for the 17th-ranked broadcast network show of the week ending Mar. 12, the CBS procedural East New York.

Carlson also took the week’s No. 2 and No. 3 spots on cable in total viewers; within the key 25-54 demographic, its Mar. 6th and 7th editions were tops for non-sports cable programs (it ranked 17th and 18th, respectively, in the demo with sports included, mostly from men’s college basketball conference tournament coverage on various outlets).

For Mar. 6-10, Tucker Carlson Tonight averaged 3.568 million total viewers, 469,000 with adults 25-54 and 312,000 with adults 18-49 — the program’s highest-rated week in all metrics since the week of the 2022 midterm elections (Nov. 7-11, 2022).

As a backdrop to all of this, it was revealed on Mar. 7 — due to the legal filings made public as part of Dominion Voting Systems’ $1.6 billion defamation lawsuit against Fox News — that Carlson privately messaged colleagues he loathed Donald Trump and his presidency. (The release of that communication received no coverage at FNC.)

Cable news averages for March 6-12, 2023:

Total Day (Mar. 6-12 @ 6 a.m.-5:59 a.m.)

  • Fox News Channel: 1.359 million viewers; 172,000 adults 25-54
  • MSNBC: 0.673 million viewers; 71,000 adults 25-54
  • CNN: 0.408 million viewers; 81,000 adults 25-54
  • HLN: 0.155 million viewers; 41,000 adults 25-54
  • CNBC: 0.111 million viewers; 27,000 adults 25-54
  • Fox Business Network: 0.104 million viewers; 12,000 adults 25-54
  • The Weather Channel: 0.101 million viewers; 18,000 adults 25-54
  • Newsmax: 0.083 million viewers; 7,000 adults 25-54

Prime Time (Mar. 6-11 @ 8-11 p.m.; Mar. 12 @ 7-11 p.m.)

  • Fox News Channel: 2.237 million viewers; 274,000 adults 25-54
  • MSNBC: 1.088 million viewers; 108,000 adults 25-54
  • CNN: 0.443 million viewers; 95,000 adults 25-54
  • HLN: 0.199 million viewers; 53,000 adults 25-54
  • CNBC: 0.145 million viewers; 36,000 adults 25-54
  • The Weather Channel: 0.131 million viewers; 21,000 adults 25-54
  • Newsmax: 0.094 million viewers; 11,000 adults 25-54
  • NewsNation: 0.087 million viewers; 15,000 adults 25-54
  • Fox Business Network: 0.058 million viewers; 10,000 adults 25-54

Top 10 most-watched cable news programs (and the top programs of other outlets with their respective associated ranks) in total viewers:

1. Tucker Carlson Tonight (FOXNC, Tue. 3/7/2023 8:00 PM, 60 min.) 4.136 million viewers

2. Tucker Carlson Tonight (FOXNC, Mon. 3/6/2023 8:00 PM, 60 min.) 3.695 million viewers

3. Tucker Carlson Tonight (FOXNC, Wed. 3/8/2023 8:00 PM, 60 min.) 3.622 million viewers

4. The Five (FOXNC, Tue. 3/7/2023 5:00 PM, 60 min.) 3.300 million viewers

5. Tucker Carlson Tonight (FOXNC, Thu. 3/9/2023 8:00 PM, 60 min.) 3.289 million viewers

6. The Five (FOXNC, Wed. 3/8/2023 5:00 PM, 60 min.) 3.187 million viewers

7. Tucker Carlson Tonight (FOXNC, Fri. 3/10/2023 8:00 PM, 60 min.) 3.099 million viewers

8. The Five (FOXNC, Mon. 3/6/2023 5:00 PM, 60 min.) 3.004 million viewers

9. The Five (FOXNC, Thu. 3/9/2023 5:00 PM, 60 min.) 2.982 million viewers

10. The Five (FOXNC, Fri. 3/10/2023 5:00 PM, 60 min.) 2.911 million viewers

24. Rachel Maddow Show (MSNBC, Mon. 3/6/2023 9:00 PM, 60 min.) 2.253 million viewers

170. Real Time With Bill Maher (HBO, Fri. 3/10/2023 10:01 PM, 58 min.) 0.765 million viewers

178. Erin Burnett Outfront (CNN, Tue. 3/7/2023 7:00 PM, 60 min.) 0.698 million viewers

334. The Daily Show “Mar 8, 23 – Marlon Wayans” (CMDY, Wed. 3/8/2023 11:00 PM, 30 min.) 0.408 viewers

359. Last Week Tonight (HBO, Sun. 3/12/2023 11:05 PM, 34 min.) 0.348 million viewers 

388. Varney & Company (FBN, Fri. 3/10/2023 10:00 AM, 60 min.) 0.297 million viewers

392. Forensic Files (HLN, late Fri. 3/10/2023 12:30 AM, 30 min.) 0.290 million viewers

441. Fast Money Halftime Report (CNBC, Mon. 3/6/2023 12:00 PM, 60 min.) 0.241 million viewers

478. Heavy Rescue: 401 “(511) No Other Choice” (TWC, Sat. 3/11/2023 8:00 PM, 60 min.) 0.221 million viewers

492. Newsnation: Rush Hour (NWSN, Mon. 3/6/2023 5:00 PM, 60 min.) 0.215 million viewers

Top 10 cable news programs (and the top  programs of other outlets with their respective associated ranks) among adults 25-54:

1. Tucker Carlson Tonight (FOXNC, Mon. 3/6/2023 8:00 PM, 60 min.) 0.565 million adults 25-54

2. Tucker Carlson Tonight (FOXNC, Tue. 3/7/2023 8:00 PM, 60 min.) 0.556 million adults 25-54

3. Tucker Carlson Tonight (FOXNC, Wed. 3/8/2023 8:00 PM, 60 min.) 0.467 million adults 25-54

4. Tucker Carlson Tonight (FOXNC, Thu. 3/9/2023 8:00 PM, 60 min.) 0.395 million adults 25-54

5. Tucker Carlson Tonight (FOXNC, Fri. 3/10/2023 8:00 PM, 60 min.) 0.365 million adults 25-54

6. The Five (FOXNC, Tue. 3/7/2023 5:00 PM, 60 min.) 0.363 million adults 25-54

7. Hannity (FOXNC, Tue. 3/7/2023 9:00 PM, 60 min.) 0.361 million adults 25-54

8. The Five (FOXNC, Thu. 3/9/2023 5:00 PM, 60 min.) 0.341 million adults 25-54

9. The Five (FOXNC, Wed. 3/8/2023 5:00 PM, 60 min.) 0.340 million adults 25-54

10. Gutfeld! (FOXNC, Tue. 3/7/2023 11:00 PM, 60 min.) 0.330 million adults 25-54

39. Rachel Maddow Show (MSNBC, Mon. 3/6/2023 9:00 PM, 60 min.) 0.219 million adults 25-54

74. The Daily Show “Mar 8, 23 – Marlon Wayans” (CMDY, Wed. 3/8/2023 11:00 PM, 30 min.) 0.179 million adults 25-54

102. Low Country: Murdaugh Dynasty “2. Something In The Road” (CNN, Sat. 3/11/2023 9:00 PM, 60 min.) 0.152 million adults 25-54

165. Real Time With Bill Maher (HBO, Fri. 3/10/2023 10:01 PM, 58 min.) 0.115 million adults 25-54

195. Forensic Files (HLN, late Fri. 3/10/2023 1:00 AM, 30 min.) 0.105 million adults 25-54

222. Last Week Tonight (HBO, Sun. 3/12/2023 11:05 PM, 34 min.) 0.097 million adults 25-54

344. Shark Tank “Shark Tank 1102” (CNBC, Mon. 3/6/2023 9:00 PM, 60 min.) 0.070 million adults 25-54

498. Heavy Rescue: 401 “(508) This Aint Gonna Be Pretty” (TWC, Sat. 3/11/2023 5:00 PM, 60 min.) 0.047 million adults 25-54

505. Kudlow (FBN, Fri. 3/10/2023 4:00 PM, 60 min.) 0.045 million adults 25-54

552. Newsnation Prime (NWSN, Sun. 3/12/2023 7:00 PM, 60 min.) 0.039 million adults 25-54

Source: Live+Same Day data, Nielsen Media Research

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