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Westwood One Founder Norm Pattiz Dies

Ryan Hedrick

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Norm Pattiz, the Hall-of-Fame founder of Westwood One passed away Sunday. He was 79.

In 1976, Pattiz was attempting to syndicate a Motown series when he created Westwood One. Two years prior, he was working in broadcast sales at KCOP-TV in Los Angeles.

All Access broke the news of his passing. Website publisher Joel Denver was a close friend and colleague of Pattiz. He said the former Westwood One executive had a “flair for creativity and taking chances.”

“Norm gave me my deal for ‘Future Hits,’ which had an 11-year run at Westwood One,” stated All Access Publisher Joel Denver. “At one point, ‘Future Hits’ was his second-most affiliated show next to Casey Kasem’s countdown. He also gave me a deal to host ‘Earth News.’”

In 1984, Westwood One became a publicly traded company. A year later it purchased the Mutual Broadcasting System, one of the “Big Four” of the 1940s in American radio, continuing to operate it as a separate network into the 1990s. The network was home to two broadcast icons, the late Larry King and Jim Bohannon.

Inducted into the Radio Hall-of-Fame in 2009, Pattiz’s syndication company eventually became the gold standard for broadcast distribution featuring the “Dr. Demento Show” and “Off the Record with Mary Turner.” Turner was Pattiz’s wife, she was also the chairman of the board at the Betty Ford Center.

In 2010, Pattiz departed Westwood One as its chairman. A year later, the company merged with Dial Global. In December 2013, Dial Global was acquired by Cumulus Media. Prior to the sale’s completion, Dial Global re-assumed the Westwood One name.

Pattiz founded another media company called Courtside Entertainment Group which syndicated Laura Ingraham’s radio show and “Loveline with Dr. Drew.” He then created PodcastOne in 2013. Today, the company sees more than 2.1 billion downloads annually and produces 350 podcasts weekly.

Pattiz served as the chairman of the University of Southern California Board of the Regents Oversight Committee of the Department of Energy Laboratories for nearly two decades.

“I am truly grateful for his friendship and generosity,” added Denver. “My deepest condolences to his wife, Mary Turner, his family and all of the people who were touched by NORM and benefited personally and professionally from his friendship and knowledge.”

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Media Business

Audacy Promotes Jenna Weiss-Berman to Executive Vice President of Podcasts

“We have a real opportunity to build a cohesive podcast brand that is greater than the sum of its parts, and I look forward to all that’s ahead.”

Barrett News Media

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Audacy has announced a promotion for Jenna Weiss-Berman to Executive Vice President of Podcasts for the company.

With the new role and title, Weiss-Berman will report to Auadacy’s Chief Digital Officer and President of Podcast and Streaming J.D. Crowley.

Weiss-Berman will oversee Audacy’s podcast network and studios, which include Cadence13 and Pineapple Street Studios. She’ll also work with the company’s sports and news programming leaders to develop and grow original podcasts for the company’s 2400Sports studios and the 28 local newsrooms across the nation.

“I’m excited to help bring together the world-class podcast businesses that already exist under the Audacy umbrella,” said Weiss-Berman. “We have a real opportunity to build a cohesive podcast brand that is greater than the sum of its parts, and I look forward to all that’s ahead.”

Previously, Weiss-Berman was the head of audio for BuzzFeed before joining Pineapple Street Studios, which Audacy acquired in 2019.

“As we commit to accelerating our digital growth and enhancing performance, we’re thrilled to expand Jenna’s role to further unify and streamline our content and business efforts across our leading podcast portfolio, enabling even more rapid development of new and original IP and better leveraging our talent across the entire Audacy portfolio,” said Crowley.

“Jenna’s strong leadership and deep industry relationships will propel us forward on our mission to be a leading partner of audio creators while super-serving listeners of all backgrounds and interests and enabling our sales teams to better serve our customers and partners with unique and compelling podcast opportunities.”

Weiss-Bermann steps into the role vacated by the departure of Chris Corcoran.

“His leadership, passion, and dedication are the creative force that successfully launched and built Cadence13 into the business that it is today, while also helping to position Audacy as a leading podcast company,” Crowley said of Corcoran. “I wish him continued success in his future endeavors.”

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Media Business

Quu Launches New Dashboard Ad Product

“We’re taking radio to new levels of engagement, enabling advertisers to reach a captive audience in a way that has never been possible before.”

Maddy Troy

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Radio technology company Quu has launched a new product called Content Partnership, which integrates visual advertising directly into radio programming. The new tech allows radio stations to display messages and images on vehicle dashboards for 30 seconds while a song or other programming is playing.

The process works as follows: when a song starts on a Quu-enabled station, the vehicle dashboard shows the song title, artist, and cover art for the first 90 seconds. Afterward, the visual switches to an ad for one of the station’s content partners for 30 seconds, displaying the advertiser’s name and a brief message. The display then reverts to the song title and artist for the remainder of the song, with the station name always present.

Quu positions the product as a new revenue opportunity that provides a broad reach through an exclusive ad unit. Generally, only two content partners will run at a time, with a content partner’s ad appearing on screen 4,000 times a month, resulting in 2,000 minutes of screen time per month, according to Inside Radio.

“With the Content Partnership, we’re taking radio to new levels of engagement, enabling advertisers to reach a captive audience in a way that has never been possible before,” said Quu CEO Steve Newberry.

Some of the first audio brands to adopt Content Partnership are Audacy, Beasley Media Group, Radio FM Fargo.

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Media Business

Edison Study: Monthly Podcast Listening Has Grown 9% Since 2018

“People are absolutely in the habit of listening to audio streaming, and virtually everybody that’s listened last month has listened last week.”

Maddy Troy

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According to the 2023 Infinite Dial report released by Edison Research, two key audio trends have emerged that indicate a need for a larger advertising budget allocation to both audio streaming and in the podcast space.

An analysis of these trends by Westwood One’s weekly blog shows that for audio streaming, the number of people reporting listening in the last month and last week has increased significantly since 2018.

Specifically, the proportion of people who reported listening to streaming audio or podcasts in the last month rose from 64% to 73%, while the proportion who reported listening in the last week rose from 57% to 70%. The second trend is the proportion of the monthly audience who also reported listening weekly has gone up from 89% to 93% in the same time frame.

“Basically, people are absolutely in the habit of listening to audio streaming, and virtually everybody that’s listened last month has listened last week,” says Pierre Bouvard, the Audio Active Group Chief Insights Officer at Cumulus Media/Westwood One.

These trends have significant implications for advertisers. As more people turn to audio streaming and podcasts for their entertainment needs, advertisers will need to follow suit to reach their target audiences. This may require a shift in advertising budgets away from traditional platforms, such as television and radio, and toward digital platforms.

However, the shift toward digital platforms also presents an opportunity for advertisers. By targeting consumers through audio streaming and podcasts, advertisers can reach a more engaged audience that is actively seeking out content in their niche. This can lead to more effective advertising campaigns and a higher return on investment.

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