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Saluting Black Broadcasters: Christopher Howard, Live Action Production

“I wanted to be an example for folks to know that if you had difficult upbringings, if you had traumatic moments in your life, use that to help. Let it shape you into being the correction.”

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Saluting Black Broadcasters

From documentary film, to news production, and commercial advertising, Senior Director of Live Action Production for EG+, Christopher Howard can handle it all.

“I will say there was an extra layer of stress from an African American leader that is separate from what leaders on average, stress about,” Howard told Barrett News Media over Zoom. “There’s just like an extra layer of something we think about. Because when you’re not used to seeing yourself in certain positions, it does create a bit of a hesitancy versus always seeing folks who look like you in a position of power.”


Howard said, “I grew up in Gainesville, Florida. I moved there when I was four. I was originally born in Washington, DC. and through some crazy situations, my mother and I had to leave [DC].” Howard and his mom moved in with his great-grandmother and uncle calling his upbringing, “A bit dysfunctional. At a certain point, my great-grandmother had a stroke when I was in third grade, and my mother at the time was on drugs. My uncle was an alcoholic, so I was an eight-year-old child dealing with the 85-year-old woman who had just had a stroke.”

Becoming his great-grandmother’s caretaker, Howard said, “I would learn from all of the health aides and nurses who would come by they would teach me how to do things.”

While Howard was her caretaker, a family friend stepped in and had a large hand in raising him.

“I wouldn’t be here talking to you in this position if it weren’t for Marion Caffey. You know, he’s been my father in every sense of the word. When I say Dad, that’s what I’m talking to.”

Howard added, “That was my childhood up until my great-grandmother passed away when I was in eighth grade, and kind of left me trying to figure out who was going to take care of me.” Howard moved back to Washington D.C. and lived with his grandfather, who owned a photography shop (the store is still family-owned today). He said of the time with his grandfather, “That’s kind of where I started learning about imagery.”

Howard moved to New York where he was on BET’s The Center as a part of The Center Crew. Once the show got canceled Howard moved to modeling “I had a few print ads in some well-known magazines like Double XL and Complex. Acting-wise, I was able to do a lot of commercial work, done soap opera work. I had a little small day role on One Life to Live.” He later added, “Somewhere around like 2010, 2011, it didn’t feel right. I started to slowly realize that I didn’t really want to be an actor.”

Caffey introduced Howard to Rita Coburn, of whom Howard said, “She has become one of the biggest staples in my life. She has really changed my life.”

Working from the bottom up again, he began as a production assistant and was quickly promoted to coordinator. He also produced video on the side.

“I would go out, shoot, practice, and would develop my own portfolio by shooting my own stuff. I started shooting a lot of food first because I was really into food.” Howard showed Coburn his reel. It was so beautiful Coburn knew she found her Director of Photography for her next project.

Together, Coburn and Howard filmed the documentary “And Still I Rise: Maya Angelo.” Howard said, “I was able to spend a couple of days with Dr. Maya Angelo in her home. That was a life-changing experience.” The pair won a Peabody for their work. After, Howard was looking for full-time work, “So I took a job working for the [New York City] Department of Corrections.”

There, he made “We Were There,” a series on the Department of Corrections’ work and efforts on and after the September 11, 2001 terror attacks. “They established the telecoms for the NYPD because the antenna [for the NYPD] was on the tower that went down. They did harbor launches to help people get across because they had shut down the bridges and a tunnel.” He added, “They also handled the morgue. They dealt with the landfill like they did all the grungy stuff. And they were there on the pile, just like everyone else. But [until this series] they got little to no recognition for it.”

His efforts at the DOC brought Howard to Fox News. He said of his time there, “Everything that I was able to touch and create, there is something that’s meaningful for me and that’s what I appreciate.” Howard continued his success at Peloton before making the switch to EG+.

Of his accolades and accomplishments Howard said, “I still don’t believe it and sometimes I have imposter syndrome. I feel like am I supposed to be here?” He added on top of being an industry leader there is an extra layer of stress because of the color of his skin. “it’s like an extra layer of something that we think about. Because when you’re not used to seeing yourself in certain positions, it does create a bit of a hesitancy.” He later added, “We don’t have that same feeling because we’ve never had that held those positions long enough and wide enough for enough of us to look and feel like we deserve to be there.”

Howard believes his success is because of his tenaciousness. “I just kept wanting more. Not only did I want more, I kept filling my mind with the information that I needed to get.” Howard added, “I wanted to be an example for folks to know that if you had difficult upbringings, if you had traumatic moments in your life, use that to help. Let it shape you into being the correction.”

Working from the ground up in every facet of the media industry, Howard believes, “I have a responsibility to ensure that we’re bringing more diversity and equitable inclusion to this industry.”

This is one of the many reminders that Black History Month brings us. His advice for those who want to follow in his footsteps is simple, “Don’t make excuses, because people are always watching. Don’t allow yourself to be tricked by the laziness of others out of your purpose.” Most importantly, Howard said, “Smile. Smile a lot. Okay. People don’t realize how powerful a smile is.”

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BNM Writers

What to Do When Your Fear Your Media Career is Headed to the Graveyard

If you think about career death so much that it detracts from being in the moment, maybe it really is time to move on.

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A photo of a graveyard

“Do you guys ever think about dying?”

If you saw the Barbie movie, you know the line. Barbie is living the perfect and perfectly plastic life, perfectly choreographed and full of perfect smiles.

But the movie turns on that one line, basically shattering Barbie’s world with a concept no one there would ever have considered.

Death.

Why would you consider it when everything seemed in perfect order?

Well, when it comes to broadcasting and media, a lot of you think about dying … a lot. I do, too.

Of course, it’s not the stop breathing and get buried type of death but rather, the death of a career in media.

The truth is, when it comes to our business, very few people get to choose when it ends. Take a minute and consider a major media personality who truly “retired” after a multi-decade career.

It happens, but percentage-wise, it’s rare.

Take a minute and think. Name some. Name one. It’s not easy.

More often than not, you will get laid off or fired before you want to leave, and after a certain age, getting that next opportunity may be a bridge too far.

Then, you are done done.

That’s as much a music stopper as Barbie admitting she has considered her own mortality in the middle of the dance floor. Here on planet Earth, at least from the people in my orbit, the death of a media career often leads to even better professional options and more balanced lifestyle choices.

I have friends doing a million different things: Public relations, crisis management, content creation for large companies, political communications, fundraising, and teaching. Almost all of them tell me that it was such a stress relief to have a “normal” life, to not be worried about every pending contract or new boss.

Their work is appreciated. Their job is stable. And their schedule? Normal. Never has “normal” sounded so lovely than when they talk about watching shows with spouses, going out for a drink on a Tuesday, or having a regular pickleball game (or insert any middle-aged recreational sport).

I believe them.

Sort of.

The “sort of” comes from me not being able to actually envision that for myself. As enticing as it would be to see people on a more accessible schedule or play a weekly game with buddies, nothing beats talking and writing for a living. Nothing. And I am going to hang on until the lights are out, and we can’t pay to get them turned back on.

For me, I’m in too deep. I’m an indoor cat, incapable of survival outside.

Meetings. Deadlines. Reliant on other people. Meetings.

I’d be dead in a week. It’s beyond no, thank you. It’s, “I can’t”.

Sure, I have three teenagers and three college tuitions to pay. And two dogs. Two cars. And a mortgage.

Here’s where I am supposed to tell you that you should not only have thoughts about (career) death but also have a survival plan – a professional media-career living will if you would.

I should tell you that because you should.

But I don’t have one. And I don’t want one.

Why?

Because I don’t want to think about death anymore. I mean, I’ve already died twice. It wasn’t fun, and the third time most likely would be the charm in terms of getting me out of the business for good.

Why so stubborn? I don’t know.

Several times, I’ve said to myself, I need to make sure I have a backup plan … just in case. Each time, I find a reason not to get one.

Ultimately, what’s my point? Get a backup plan. Think about death. But it can’t take away from the essential joy of having the privilege of talking for a living. In that vein, don’t take it for granted. Ever. Even if the pay stinks and the schedule stinks. If you think about career death so much that it detracts from being in the moment, maybe it really is time to move on.

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BNM Writers

Is the Fairness Doctrine Even Possible in Today’s Media Landscape?

Is it right for media consumers to judge what is “fair” and what is “unfair” news?

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A photo of an equal scale

As many media outlets shutter their doors, some have clamored for the return of the Fairness Doctrine. Newsweek released the results of their new way to connect with readers, by asking if its reporting is “fair.” Since September 2023, readers were asked to judge stories on the site, 78% said the outlet is “fair.” Another 22% found at least one story they read to be “unfair.”

AllSides Media has judged Newsweek to be center. However, let’s not forget they are the same outlet that wrongly claimed President Donald Trump was golfing on Thanksgiving in 2019. As Sheryl Attkisson noted on Full Measure this week, on Thanksgiving in 2019 President Trump was visiting troops in Iraq and the Newsweek story was fabricated.

While the reader assessment of Newsweek’s content is on par with AllSides Media, is it right for readers to judge what is “fair” and what is “unfair” news? If outlets like The Daily Caller (Right) or Vox (Left) would ask the same of their readers, would their echo chamber subscribers find them “fair?” While historically print (and later digital) outlets could (and still can) embrace the political leanings of their owner(s), from 1949 till 1987 TV news had guidelines they must adhere to: The Fairness Doctrine.

Long before Americans argued about bias in news, every TV outlet (there were only three major ones at the time) would follow “The Fairness Doctrine.” The Reagan Library notes the doctrine was “enforced by the Federal Communications Council, [and] was rooted in the media world of 1949. Lawmakers became concerned that the monopoly audience control of the three main networks, NBC, ABC, and CBS, could misuse their broadcast licenses to set a biased public agenda.”

To put it simply, the Fairness Doctrine made it so all sides of any story were presented. In 1985, under the Reagan Administration, the FCC found “the doctrine hurt the public interest and violated free speech rights guaranteed by the First Amendment.” Two years later, a panel under FCC Chairman Dennis Patrick repealed the Fairness Doctrine unanimously.

Keep in mind, at this point in time, CNN was the first and only 24-hour news network in the United States (it launched on June 1, 1980). Fox News wouldn’t be launched until almost 10 years after the Fairness Doctrine was repealed, on October 7, 1996.

Also happening at this time, large corporations (with lobbying power) were buying media outlets. General Electric purchased NBC in 1986. Westinghouse acquired CBS in 1995. One year later, ABC was bought by Disney. These purchases did not go unnoticed. Saturday Night Live even mocked the acquisitions in a now-banned short called “Conspiracy Theory Rock!: Media-opoly.”

The unwillingness of news organizations to cover both sides of a story has led to the creation of biased outlets including: CNN, Fox News, MSNBC, OAN, Newsmax, and others. None of these would be able to exist in their current form if the Fairness Doctrine wasn’t repealed.

News outlets that aren’t overtly biased use another trick to manipulate their viewers/readers, using emotionally charged verbiage. AllSides Media defines sensationalist words as presenting information in a way that gives a shock or makes a deep impression. This includes words like “shocking”, “heart-breaking”, “explosive”, “scathing”, “chaotic”, “desperate”, and “remarkable”… this list goes on but you’ve seen and heard these words from the news outlets daily. This is the media telling you how to react to a story instead of letting you determine how you actually feel after they present the facts of the story.

Today, what’s most concerning are outlets saying ‘fair and balanced’ news is a disservice to the public. An August 2023 NPR article explored just this, saying “Objectivity actually comes from an accurate examination of facts (actions, documentation, and even educated opinions) presented in transparent reports. Often, that coverage should also encourage audiences to examine supporting evidence for themselves.”

The problem with this is three-fold:

  • Selective fact presentation develops a one-sided narrative
  • An “educated opinion” is not a fact. It’s an opinion that is neither right nor wrong.
  • It is impossible for human beings to be completely unbiased (see January 31st column)

While it’s great Newsweek is asking readers if their reporting is ‘fair’ is the reader’s judgment neutral, or just as biased as the outlet they prefer to read? Sometimes when we are clicking to satisfy our own confirmation bias it’s hard to tell.

What the media and all Americans need to start recognizing is their own echo chamber. Knowing we all have some sort of bias is not a flaw but what makes us human. Our flaw is the inability to recognize our bias yet call out others for being biased just because they are on the other side of an issue.

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CNN Sees Biggest Viewership Jump During Super Bowl Parade Shooting Coverage

All news outlets spiked upon live breaking news coverage with Fox News — already the weekday afternoon leader in cable news — leading in total viewers.

Doug Pucci

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A photo of the CNN logo
(Photo: Getty Images)

The cable news outlets got increased viewership from two different news events during the week of Feb. 12, namely the shooting at the Super Bowl parade in Kansas City.

On Wednesday, Feb. 14, of the mass shooting at the Super Bowl celebration parade in Kansas City for the Chiefs football team. One person died and roughly two dozen others were injured.

All news outlets spiked upon live breaking news coverage with Fox News — already the weekday afternoon leader in cable news — leading in total viewers.

The following are what each network drew as the story unfolded on that Feb. 14 afternoon from Kansas City and how it grew from the same Wednesday time slots from Jan. 3 thru Feb. 7:

Fox News Channel

  • 3-4 p.m.: 1.656 million viewers (+18 percent)
  • 4-5 p.m.: 1.873 million viewers (+34 percent)
  • 5-6 p.m.: 3.175 million viewers (+7 percent)
  • 6-7 p.m.: 2.441 million viewers (+12 percent)
  • 7-8 p.m.: 2.250 million viewers (+4 percent)

MSNBC

  • 3-4 p.m.: 1.008 million viewers (+10 percent)
  • 4-6 p.m.: 1.504 million viewers (+7 percent)
  • 6-7 p.m.: 1.763 million viewers (+17 percent)
  • 7-8 p.m.: 1.474 million viewers (+13 percent)

CNN

  • 3-4 p.m.: 0.762 million viewers (+27 percent)
  • 4-5 p.m.: 0.913 million viewers (+35 percent)
  • 5-6 p.m.: 1.007 million viewers (+28 percent)
  • 6-7 p.m.: 0.985 million viewers (+43 percent)
  • 7-8 p.m.: 0.960 million viewers (+29 percent)

Newsmax

  • 4-5 p.m.: 0.343 million viewers (+23 percent)
  • 5-6 p.m.: 0.354 million viewers (+16 percent)
  • 7-8 p.m.: 0.547 million viewers (+13 percent)

Earlier in the week, on Tuesday, Feb. 13, the results were announced for the special election race for New York’s third congressional district between its former representative Democrat Tom Suozzi and Republican challenger Mazi Pilip. Suozzi left office in 2022 to run in the New York gubernatorial election but lost out to incumbent Kathy Hochul. Suozzi’s successor in Congress was the infamous George Santos who was officially expelled from office on Dec. 1, 2023 over charges of federal criminal laws including campaign finance fraud.

MSNBC and CNN were the only major national news outlets that provided live coverage of the special election results, stressing the significance of Suozzi’s eight-point win over Pilip as it reduced the GOP’s advantage in the House of Representatives by one.

From when the voting polls closed in New York at 9 p.m. ET, MSNBC easily topped CNN in total viewers at 9 p.m. (1.616 million viewers vs. CNN’s 0.847 million), 10 p.m. (1.903 million vs. CNN’s 0.879 million), 11 p.m. (1.112 million vs. CNN’s 0.541 million), and at midnight (774,000 viewers vs. CNN’s 299,000).

From 9-11 p.m. ET, though, both MSNBC and CNN scored the same performance among the key 25-54 demographic: a 0.15 rating at 9 p.m. and a 0.18 rating at 10 p.m. (Note: a 1.0 rating in 25-54 equates to 1.21 million viewers within the aforementioned age range.) 

For the 10-11 p.m. hour, when the New York candidate speeches had aired, CNN grew by 68 percent (in viewers) and by 80 percent (in 25-54) from its Tuesday 10-11 p.m. hour output from Jan. 2 thru Feb. 6 — a time period that included a Ron DeSantis town hall and New Hampshire primary results.

MSNBC was up as well at 10 p.m. hour — +16 percent in viewers, +33 percent in the 25-54 demo — using the same reference parameters.

Even though Fox News did not offer live coverage of New York’s special election results, Hannity at 9 p.m. (2.528 million viewers; 0.21 A25-54 demo rating) and Gutfeld! at 10 p. m. (2.357 million viewers; 0.31 A25-54 demo rating) still held the top spots in their respective hours on all of cable news.

Source: Nielsen Media Research

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